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MAY 19, 2004: TONY VISCONTI A POSTER BOY?!
Tony
Visconti and Darren Cahill have been chosen by
Cap Gemini to promote collaboration in their new advertising campaign.
The point of the campaign is to emphasize that greatness comes from
collaboration. DAVID BOWIE DUBLIN LIVE DVD AND SHINY NEW STUDIO.... PLUS A VISCONTI MASH UP! After
almost two months of refitting, our new studio is finished. Almost everything
is new and that includes a Yamaha
96 channel DM2000 console and a complete Yamaha 5.1 surround sound
monitor system based on the MSP-10
monitor. The heart of the system is a new, dual engine Apple
G5 computer running the latest ProTools
HD system and Logic
Pro 6 . The DM2000 is housed in elegant studio furniture manufactured
by Argosy
. The front end of the studio is still quality high end preamplification
from Avalon
and Malcolm
Toft Audio among others and a trusty old Otari analog multitrack
with a 16 track head block. The new system is, to repeat a well worn
testimony, Windex for the ears. I love the MSP-10s, they exceeded my
expectations in clarity, focus and fidelity. The studio was completely
rewired by Dan Zellman using Mogami cable, prepared by Coral
Sound. My trusty assistant, Mario
McNulty, has been assisting Dan with the refit, and spending his
recent evenings away from the charms of Manhattan maidens and smoke-free
bars burying his nose, instead, into the new equipment manuals. There
is a mash
up contest going on at the moment presented by Audi,
the car manufacturer. You have to create a mash up of two David Bowie
recordings, but one must be from Reality, his new CD (which yours truly
co-produced). I am ineligible to enter but that didn't stop me from
entering the spirit. I mashed together two of my fave Bowie cuts, "Win"
from Young Americans and "The Loneliest Guy" from Reality.
This was created entire in Logic 6, my favorite audio/midi program,
on my Apple laptop. To tell you the truth, I was so bored not having
a studio to work in during the refitting, I had to do something! I did
this mash up with just the two commercially available recordings, I
did not use the vocal tracks only, that would've been cheating. I had
to drop the key of "Win" by one semitone and, of course, I
had to diddle with the tempos to make it all mash. Mash ups are real
fun to do. |